Fred Wesley - Generations

FRED WESLEY is THE ultimate Funk master. Synonymous with James Brown & The JBs and George Clinton.

FRED WESLEY is THE ultimate Funk master. Through the many years as musical director with The James Brown Band to the spin off group James Brown and The JB’s to many years with George Clinton's Parliament-Funkadelic then in the 90’s came Fred Wesley and the new JB’s and now he returns to Dublin with his award winning project “Generations”.

Wesley, already recognised as one of the most important architects of Funk, uses the project to connect to his jazz roots and to the future.

Don’t worry for one moment though, this band is still all about groove so there is no need for a chair you’ll be up dancing anyway.

Line Up

Fred Wesley - Trombone

Leonardo Corradi - Hammond Organ

Tony Match - Drums

Fred Wesley Biography by Jason Ankeny

As the longtime musical director for soul legendJames Brown's renowned backing unitthe J.B.'s, trombonist Fred Wesley was the world's most famous sideman, orchestrating the sinuous grooves and contributing the bold, surgically precise solos that defined the language of funk. Born July 4, 1943, in Columbus, Georgia, Wesley was raised in Mobile, Alabama.

After returning from military duty in 1967, Wesley formed his own project, the Mastersound, fusing R&B with hard bop. The group splintered within a year, however, and when he received a phone call fromJ.B. 's trumpeter Waymon Reed, who told himBrown was seeking a new trombonist, Wesley accepted the offer.

Brown's infamously dictatorial approach wore greatly on Wesley, and the two men clashed often. After appearing on landmark singles including "Say It Loud (I'm Black and I'm Proud)," "Licking Stick," and "Mother Popcorn," the trombonist even quitthe J.B.'s in late 1969, briefly gigging with Sam & the Goodtimers before returning toBrown's camp in early 1971 and assuming the role of musical director and arranger. Wesley's contributions to classic funk outings includingBlack Caesar, Slaughter's Big Rip-Off, andThe Payback cannot be overstated: alongside bandmates includingMaceo Parker and Bootsy Collins, he spearheadedBrown's groundbreaking transformation from soul to funk, establishing the template for the R&B of a new decade. "I completed [Brown's] creations, I followed his blueprints," Wesley later said. "He would give me horn things to write, but sometimes maybe it would be incoherent musically and I would have to straighten it out, so to speak. When it came out of my brain, it would be a lot ofJames Brown's ideas and my organization." Wesley even wrote a handful ofBrown hits including "Doin' It to Death" and "Papa Don't Take No Mess," and headlined severalJ.B.'s records including the classicDamn Right I Am Somebody and Breakin' Bread. But creative and financial differences again forced him to part ways withBrown in 1975, this time for good.

Wesley signed on withGeorge Clinton's Parliament-Funkadelic in time for their seminalMothership Connection LP. And unlike Brown, Clinton encouraged his collaborators to pursue their own projects, even co-writing most of the songs featured on the trombonist's 1977 official solo debut,A Blow for Me, a Toot for You, credited to Fred Wesley & the Horny Horns. After a second solo disc, 1979's Say Blow by Blow Backwards, Wesley exited theP-Funk sphere to return to his first love: jazz. He joinedthe Count Basie Orchestra, and also moonlighted as a producer, helming the self-titled debut LP by R&B group Kameleon. After settling in Hollywood in 1981, Wesley assumed the role of hired gun, playing on studio sessions headlined by Earth, Wind & Fire, Barry White, and the Gap Band, and also arranged records by Curtis Mayfield and Terry Callier. He re-ignited his solo career with 1990's jazz date New Friends, and continued recording straight-ahead jazz LPs throughout the decade to follow. As his unmistakable syncopated style became a crucial component of hip-hop via endless sampling of his vintageJames Brown sides, Wesley also toured with fellow Brown alums Maceo Parker and Pee Wee Ellis as the JB Horns before forming his own Fred Wesley Group in 1996. In 2002 he published his memoirs, Hit Me, Fred: Recollections of a Sideman. Wesley followed it with a new album, With a Little Help from My Friends, in 2010 from BHM Records. He concurrently served as an adjunct professor of jazz studies at the University of North Carolina at Greensboro. Wesley continued to tour through the 2010s, and in 2015 he released a joint album with Leonardo Corradi and Tony Match called Generations.

Location of event - Get Directions

Venue Information - The Grand Social

The Grand Social, Dublin city’s thriving live music venue. We have carved a superb reputation as a venue with fantastic facilities for Musicians, Performers, DJ’s and audiences. Launched in September 2010 with a fortnight of Fringe Festival activities The Grand Social has gone from strength to strength with a commitment to professionally staging a marvellous mixture of musical styles and live performances from all strands of the cultural spectrum in one of the best looking and sounding rooms in the country.